Ubu Roi (Ubu the King or King Ubu) is a play by Alfred Jarry. It was first performed in Paris at the Théâtre de l'Œuvre, causing a riotous response in the audience as it opened and closed on December 10, 1896.[1][2] It is considered a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms, and conventions. To some of those who were in the audience on opening night, including W. B. Yeats and the poet and essayist Catulle Mendès, it seemed an event of revolutionary importance, but many were mystified and outraged by the seeming childishness, obscenity, and disrespect of the piece. It is now seen by some to have opened the door for what became known as modernism in the twentieth century.[3] It is a precursor to Dada, Surrealism and the Theatre of the Absurd. It is the first of three stylised burlesques in which Jarry satirises power, greed, and their evil practices—in particular the propensity of the complacent bourgeoisie to abuse the authority engendered by success.
Unconditional positive regard, a concept developed by the humanistic psychologist Carl Rogers, is the basic acceptance and support of a person regardless of what the person says or does, especially in the context of client-centered therapy. Its founder, Carl Rogers, writes: The central hypothesis of this approach can be briefly stated. It is that the individual has within him or her self vast resources for self-understanding, for altering her or his self-concept, attitudes, and self-directed behavior—and that these resources can be tapped if only a definable climate of facilitative psychological attitudes can be provided.
Ja, ein Post vom guten alten Kib. Seine Wiederauferstehung mit dann begradigter Biographie und ganz frischen Feindbildern fand ich allerdings eher ernüchternd. Roundabout blieb es dabei aber nur bei Versuchen.
" ... Ramon Llull [rəˈmon ˈʎuʎ] (deutsch Raimund Lull, Vorname auch in der Schreibweise Raymund oder Ramund; latinisiert Raimundus Lullus, auch Raymundus Lull(i)us; * um 1232 in Palma de Mallorca; † Anfang 1316 auf der Fahrt von Tunis nach Mallorca) war ein mallorquinischer Philosoph, Logiker, Grammatiker und franziskanischer Theologe.[1] Er lebte lange Zeit im mallorquinischen Kloster Santuari de Cura auf dem Berg Randa, auf dem er auch seine mystischen Visionen erlebte. ..."
Fillorkill
: metaethics classics: the story of Ramon Llull
Ramon Llull, T.O.S.F. (Catalan: [rəˈmoɲ ˈʎuʎ]; c. 1232[1] – c. 1315; Anglicised Raymond Lully, Raymond Lull; in Latin Raimundus, or Raymundus Lullus, or Raimundo Lulio, or Lullius) was a mathematician, polymath, philosopher, logician, Franciscan tertiary and writer from the Kingdom of Majorca. He is credited with writing the first major work of Catalan literature.[2] Recently surfaced manuscripts show his work to have predated by several centuries prominent work on elections theory. He is also considered a pioneer of computation theory, especially given his influence on Leibniz.[3][4][5]
Tree of Science (Arbre de la ciència, Arbor Scientiae) is one of the most extensive and characteristic works of Ramon Llull, written in Rome between 1295 and 1296. It is a version in encyclopaedia format of General Art or Ars magna aimed to non university public. It has recourse to an analogy common in it: the organic comparison, in which each science is represented by a tree with roots, trunk, branches, leaves and fruits. The roots represent the basic principles of each science; the trunk is the structure; the branches, the genres; the leaves, the species; and the fruits, the individual, his/her acts and his/her finalities. This vegetal allegory shows the influence of Aristotle.
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