Culture Club

 

Throbbing Gristle were an English music and visual arts group, officially formed in September 1975 in Kingston upon Hull by members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music.  https://en.wikipedia.org/wiki/Throbbing_Gristle

...industrial   musicians   were   theoretically   up-to-date,   making   direct   references   to   Walter Benjamin, Marshal McLuhan, Michel  Foucault, Gilles Deleuze and  Félix Guattari. The phrase“post-industrial society”,  established   by  Daniel   Bell, was   picked  up   early.[2] Although themusic was labeled industrial, it mainly described the decay of industrial societies and the riseof  the  societies that would   follow...Industrial musicfunctions as a socio-theoretical experiment, as a philosophy put into practice, or as art turning into philosophy   and  critical   thinking.  In  art,   Deleuze  and   Guattari  see   the  opportunity  totranscend boundaries and open new ways of approaching reality.[4] Art demands that artistsput themselves in the state of becoming, in-between realities...

https://www.researchgate.net/publication/...olitics_of_Shock_and_Risk

dieser Musik. Damals hab ich zwar einiges gekauft,aber kaum gehört.Danke für die Erinnerung.